Wilco Cruel Country
Early this month, Sharon Van Etten released We’ve Been Going About This All Wrong, my favorite of her albums so far. About a week later, Kevin Morby brought us This Is A Photograph, which turns out to be my favorite album of his, too.
Then along came the release of Carry Me Home, a live recording from 2011 of Mavis Staples and Levon Helm. Boom. Purely delightful. If you can listen all the way through this record without tapping a toe or bobbing your head, I’m pretty sure something about you ain’t right.
My pick of the month, however, is Cruel Country, the new “double album” from Wilco. (Quotation marks because, as of the time of this writing, this record exists solely in the form of a digital download.) There’s a lot of internet chatter about this record being a return to Wilco’s alt-country roots, but to my ears it doesn’t have much in common with their early records. I’m more inclined to say just the opposite: as pointed out by Chris Deville in his review at Stereogum, the band has never embraced their country roots as fully as they do here, even while still managing to push and pull the genre in different directions.
Finally, as a bit of an aside, I’ll mention that about half the songs on Cruel Country made their debut on The Tweedy Show, more than 200 hours of which was livestreamed from the Tweedys’ living room while we were all in various stages of pandemic shutdown. Seeing and hearing these songs develop from a single guitar & vocal on the Tweedys’ sofa into the full band arrangements on the record has been a rare treat.
Get some music in your ears, everybody!