Buck Meek Haunted Mountain and Gregory Alan Isakov Appaloosa Bones
Long time readers (haha! I say that to make myself feel like I have readers) may recall that Buck Meek’s last record, Two Saviors, was tied with Valerie June’s The Moon And Stars: Prescriptions For Dreamers as my favorite recordings of 2021. Well, I still love Two Saviors, and now I also love Meek’s latest, Haunted Mountain. Lyrically this collection doesn’t grab me quite as much as Two Saviors did, but I’m very taken with Haunted Mountain’s more expansive musical production. These arrangements bring a fuller sound without sacrificing any of the delicacy and spontaneity I associate with Meek’s solo work.
And on the topic of arrangements, I have read that Gregory Alan Isakov had originally intended his new album to be a stripped-down, “lo-fi” rock-n-roll record, but the songs wouldn’t cooperate. While I do enjoy speculating on exactly what an Isakov rock-n-roll record might sound like, I couldn’t be happier to find that Appaloosa Bones hews more closely to the path forged by his previous effort, Evening Machines. I can’t get enough of the way Isakov marries his relatively straightforward, down-to-earth lyrics to treatments that range from the simplest, contemplative strummed guitar to broadly atmospheric, often nearly surreal, soundscapes.
Haunted Mountain is, overall, the more spritely of these two picks. Spin it up while you’re enjoying a sunny afternoon. Then ease into Appaloosa Bones when you’re sipping a cocktail on the porch, watching the sun set.
Get some music in your ears, everybody!